Amir Villa
This contemporary home trys to make
defferent construction from the urban development. 2011, Architects of Tehran Nextoffice – Alireza Taghaboni has completed the Amir Villa above 1638
square meter that located in Karaj, Iran.
Nextoffice describes Amir Villa:
“Mohammad Shahr
Gardens, where Amir Villa situates, is only a few alleys away from the city of Karaj. Despite urban legislations and building density rules, the distance
between gardens and city is gradually
shrinking due to the increasing rate of construction works and the wild growth of multi-storey
buildings.
Escaping from being trapped by the greedy development of urban constructions, the design strategy
followed a path through which the building could keep the former height and scale. Unlike the
client’s desire which
wasa two storeys house for locating the bedrooms on the upper level, a one storey building was proposed.Doing so, the
private activities
would be programmed behind the public area within the same vertical level, in presence of a
glass bridge as the means of connecting these two zones.
The summer house was expected to bring peace and calm for elder
family members,at the
same time, offer the youth a pleasant place to through their weekend parties. So a bipolar
set; as well as other ones – the existing/present state, plastic/right angled surfaces and
rough/glossy textures- formed the final proposal for the house structure and
form.
By strengthening the structure, the view towards the garden was thoroughly opened. Later, by
assessing the existing soil conditions and properties and following a vernacular recipe, clay reinforced by
straw, a common place
and easy-to-apply mixture was achieved. The doughy nature of this mixture made it possible to
smoother the surfaces and cover up the former unpleasant edges and sharp discontinuities. The overall volume of the former house turned to
a new body of integrated surfaces with smooth finishes and unique boundaries having a connected smaller box as the new being of the villa.
Different from the previous state, the new house does not rest on
the ground but has
been lift up to open a reasonable space for glass flooring, light bowls and water paths by which the interior spaces
were romantically
architectured. By which, there is a trace of trembling lights here and there, sentimentally
seeping into the sleep hours of residents.
Two old dried tree trunks found somewhere in the garden where taken into account on designing the
interior spaces. Trunks were located in the gap between volumes to play a decorative role within the
interiors and -maybe-
create some pause moments from now on.”
Photos by: Parham Taghiov